God Osiris

Request
Originally, the figure of Osiris was linked to the fecundity of the Egyptian soil, the renewal of vegetation and the world of shepherds, as evidenced by the heka sceptre (which reproduces the shepherds’ crook). He embodied the fertile land and the arable fields, and therefore became the guardian of the order of the universe and the cycles of nature. But the most famous myth concerning him is the one in connection with his death, known through many versions: the son of Geb (the earth) and Nut (the sky) and the husband of Isis, the god primarily was a pharaoh. With Isis, they were a pair of royal benefactors who taught mankind farming and fishing (Osiris), weaving and medicine (Isis). Jealous of the sovereign, his brother Seth assassinated him, cut up his body and disposed of the pieces in the Nile. However, Isis, his wife and faithful widow, found and reassembled the body of her husband and, with the help of her sister, Nephtys, and of Anubis, she embalmed the corpse. After breathing life into him for a short instant, Isis was impregnated by Osiris: this union resulted in the birth of Horus, who, following in the footsteps of his father, became Pharaoh. And so, after having survived the ordeal of death, Osiris triumphed thanks to the magic of his wife and became the ruler of the underworld. He represented the seeds of life and, at the same time, was the protector of the deceased, to whom he would promise life after death.

These two closely related characteristics linking the god of fecundity and the funerary divinity were certainly the basis for the success Osiris enjoyed in the Egyptian world: from the New Kingdom on, and especially during the entire 1st Millennium BC, statuettes of Osiris were among the most important funerary offerings.

The technique of lost wax casting is a sculptural procedure using a mould made from a prototype of the piece to be worked, and this prototype is usually made from beeswax. This is covered with a thick layer of soft material, usually clay, which then solidifies. Once this has hardened it is put in a kiln where the wax inside melts and leaks out through expressly made holes in the clay. In its place molten metal is injected and this takes on the exact form of the mould. To release the final piece the mould must be removed.

BIBLIOGRAPHY:

- WILKINSON H. R. The Complete Gods and Goddesses of Ancient Egypt. London. 2003.

Related works of art

DAMA SENTADA J. BAGOT ARQUEOLOGIA
Dios marte romano j bagot arqueologia
veracruz busto mexico j bagot arqueologia
torso esultura ancient egyptian sculpture antiguo egipto j bagot arqueología
Figura de guerrero veracruz j bagot arqueologia

Consell de Cent, 278
08007 Barcelona SPAIN
(+34) 93 140 53 26
info@jbagot.com

Monday - Saturday
10h to 14h
16:30h to 20:00h

Uso de cookies

Este sitio web utiliza cookies para que usted tenga la mejor experiencia de usuario. Si continúa navegando está dando su consentimiento para la aceptación de las mencionadas cookies y la aceptación de nuestra política de cookies, pinche el enlace para mayor información.plugin cookies

ACEPTAR